Swamp Hawk Lexington, Kentucky
Lexington, Ky Doom.
Justin Chatelain
Will Chewning
Joshua Flowers
Joe Harbison
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supported by 4 fans who also own “Ice Beast”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible.
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supported by 4 fans who also own “Ice Beast”
Musically, this record is a great homage to 70's early heavy metal. Budgie, Black Sabbath and even Uriah Heep (nice keyboard on Mother's Little Reject) come to mind. Great epic groove at a relentless pace, some short but beautiful guitar solo, and a powerful and melodramatic female singer! 33 minutes of intensity for our greatest pleasure!
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TRANSCANADIAN ANGER
by DOPETHRONE
supported by 4 fans who also own “Ice Beast”
This album is an absolute banger. The riffs are especially groovy this time, the vocals are amazing, and the overall thing is supercatchy. If I'd have to list one downside, it's that the mix is so bass-heavy that the sound only truely comes into it's right when listened on good headphones or extremely good speakers. On anything less it can sound like the bass drowns the rest of the music out. 9/10
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featured on Bandcamp Radio Sep 29, 2022
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A terrifically woozy slab of psychedelic stoner rock, where big riffs grind against saxophones, omnichords, and more.
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nuance - the musical
by christian fitness
Another cinematic rock 'n' roll epic from the always hilarious Christian Fitness.
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supported by 4 fans who also own “Ice Beast”
A cosmic mammoth tramples on worlds while breathing life into the void. The changes of tone in the singing on Gears of Despair are the best rendition of a blackhole collapsing deeper and deeper on itself. That track was my entry point to Slomatics (thank you, oh great Weedian) and I'm never leaving, crushed to hyper-doom slow mo particles.
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